Creating spaces that provide a sense of safety, honoring individual dignity, and respecting the unique stories of those occupying a space are key tenets of trauma-informed design. With consideration of the specific context and background of those utilizing a particular space, this therapeutic form of interior design uses warm colors, maximizes natural light and views of nature, and creates furniture layouts that balance individual choice with group comfort, to name a few. When intentionally incorporated into a design layout, these elements can create an environment of holistic care and healing. So many environments could benefit from incorporating the elements of trauma-informed design, including schools, rehab facilities, medical facilities, places of worship, and more.

According to Critical Race Spatial Analysis theory, spatial layouts (including architectural design), furniture pieces, and all elements of the built environment can be used as systems of power. These systems have the ability to dominate and oppress, but also have the ability to honor and celebrate the beautiful diversity of humankind. Kim utilizes a critical race lens when doing spatial design, which brings consideration to how layouts may need to be shifted to distribute power more broadly, to highlight oppressed voices, or to reflect the stories of those utilizing the spaces through artwork or other unique designs.

Incorporating elements of nature into the design of interior spaces has been proven to have profound impact on mental health due to the human need for connection to the natural world. Integrating plant life into an interior can not only add dimension and visual interest, but creates an environment of serenity, has a calming effect, and can even reduce stress levels of those occupying the space. While utilizing living plant life when possible is ideal, not all environments have natural light or systems for consistent watering. In those instances, sourcing the most realistic-looking artificial plants to fulfill the human need of connecting with nature within a space is the next best choice!

Third Place Theory suggests that people need a space outside of their home (our first place), one where we do not have the responsibilities that we carry in our work or school environments (our second place), where we can connect socially while also developing a sense of familiarity and belonging with others within the space. Think of the TV show Cheers that primarily took place in a Boston bar, or the fictional NYC coffee shop “Central Perk” from the 1990’s series Friends—both were locations where people regularly gathered for social connection and identified the spot as “their place.” While the theory of third place primarily emphasizes the social dynamics that occur within a space, key design elements have been identified as significant contributors to creating these unique environments of connection and belonging. Third Place Theory was a significant focus for Kim’s dissertation research, and she is particularly passionate about finding ways to incorporate it in her work.